Bio
Lucy Yan switched careers from engineering to full time oil painting following the death of her artist grandfather (爷爷). Engaging classical realism and impressionism techniques, she reveals intimate contemplations with viewers: grief, queer love, a cow’s purpose…
“Lucy’s work has soul”
as an observer once said. Through still life and portraiture, she invites you to contemplate sources of inspiration alongside her.
Lucy’s formal artistic training comes from the Realist Academy of Art in Boston (ARA Boston). She currently serves as President of the Board at non-profit Gallery 263 in Cambridge, MA- ask her about volunteering! For a full work history, please visit her LinkedIn.
Artist Statement
Motivation
My Chinese grandfather (and role model) was an accomplished Chinese painter, poet, and calligrapher. I knew he was respected by many in the local community as an educator and advocate, but I had no idea the extent of his admiration until his death. The funeral home overflowed with so many floral wreaths from local orgs that I was worried we would have to start turning them away. If I can cherish and nurture even a fraction of my own community as he did, I will consider my life’s mission accomplished.
Appreciation motivates my volunteer work, it also drives many of my paintings. Sunshine is a portrait of the light which illuminates the studio– my joy and muse, my wife. This work brims with optimism as light and nature spill into the studio via the subject’s kimono. On the opposite end, Missing portrays a tragic form of appreciation, grieving over my grandfather. Here I use pouring tea into an empty hand as a gesture of sad yearning for rituals past.
Artistic Influences
My aesthetics largely follow traditional realist works, heavily influenced by my training at ARA Boston (an atelier modeled after 19th century French Academies). Among portraits, landscapes, and still life paintings, most of my paintings are inspired by the desire to share a strong emotion with viewers. Representationalism is my preferred mode of visual communication since I desire to depict truth. I pour intimate feelings and contemplations into each piece with the earnest objective to be understood. Don’t we all have that desire?
Example: Sunshine, 2024, 14” x 17” framed, oil on linen ACM
Sunshine is a portrait of the light which illuminates the studio– the painter’s joy and muse, her wife. This work brims with optimism as light and nature spill into the studio via the subject’s kimono. Previously on view at New Art Center, and the Northeast Fine Arts Exhibition at Workshop13
Exhibitions + Awards
2025
Study of Jan van Huysum Still Life of Flowers and Fruit, People’s Choice Award, 34th Annual Fakes and Forgeries Exhibition, juried by William Vareika, Spring Bull Gallery
Portrait Commission, Focus On Figures Exhibition, juried by Laurel Stern Boeck, North River Arts Society
Dreamer, 6th Annual Spring Juried Art Show, juried by Allison Rudnick, The James Library & Center for the Arts
Study of Jan van Huysum Still Life of Flowers and Fruit, 34th Annual Fakes and Forgeries Exhibition, juried by William Vareika, Spring Bull Gallery
Sunshine, Sensory Garden Exhibition, juried by Chenoa Baker, New Art Center
Missing, Sensory Garden Exhibition, juried by Chenoa Baker, New Art Center
2024
Missing, Gather Exhibition, juried by Claudia Fiks, Juniper Rag
Study of McCloskey’s Wrapped Oranges, Small Works 2024 Exhibition, juried by Lola Baltzell, Morini Gallery
Dreamer, 6th Annual Northeast Fine Arts Exhibition, juried by Todd M. Casey, Workshop13
Sunshine, 6th Annual Northeast Fine Arts Exhibition, juried by Todd M. Casey, Workshop13
Study of Jan van Huysum Florals, The Academy of Realist Art Boston Group Show, The Mayor’s Office Gallery, Boston City Hall
Self-Portrait, The Academy of Realist Art Boston Portrait Competition
Self-Portrait, Honorable Mention & Scholarship Recipient, The Academy of Realist Art Boston Portrait Competition
Example: Dreamer, 2024, 19x23 gilt framed, oil on linen
Dreamer is a still life narrative centered on the cow. The guard dog, vase, and flowers all have a clear role - leading the little pitcher to contemplate its own purpose. Previously shown at the Northeast Fine Arts Exhibition at Workshop13. On view at the Jame’s Library and Art Center, 3/21/25 - 4/26/25
Photo by Douglas Breault